The Cave ( الكهف )was an underground prison discovered by the Syrian Arab Army after the liberation of EastGhouta from NATO supported al Qaeda — specifically the ‘Faylaq Rahman‘ sect of the malignant sociopaths. As previously with Aleppo, prior to the liberation of East Ghouta the rabid western dogs of war howled to protect the criminally insane occupiers, barked about humanitarian catastrophe, and then promptly became irrevocable amnesiacs (the same madness is currently yelped about the last terrorists of Idlib, who will also soon be permanently forgotten).
“The discovery [of The Cave] was in the town of Zamalka in East Ghouta, the town was cleaned from terrorists by the SAA end of last month March after the main defense trenches and fortifications of the terrorist group collapsed by the swift, surprise and forceful SAA attack from the east.
“Following video clip by SANA shows the former building used by the terrorist group as their main command center and under it was a vast network of tunnels and underground prisons where they detained the kidnapped residents of... Continue reading: https://www.syrianews.cc/the-cave-lying-sadists-and-rabid-dogs-of-war/
Hollywood ‘s Oscars awards ceremony is nigh. Two anti-Syria propaganda-documentaries are short-listed in this year’s competition. We use the occasion to offer a photo tutorial on Hollywood enchantment techniques — choreography, cinematography, SFX, CGI, moulage artisanship, rules of award-winning scripts — and how they are applied to incite NATO news audiences to engage in the first rule of Hollywood screenplays: Suspension of disbelief.
Though Hollywood has functioned as press liaison for US-based wars of aggression since after WWII, though propaganda is as old as history, never have Hollywood techniques been used, deftly so, to target a single country, before Syria, beginning in 2011.
The documentary/fraudumentary has its origin in a charming, pre-code, movie. The 1935 Ladies Crave Excitement finds the report-protagonist’s breaking news story is thwarted when ‘the bad guys’ steal his film, and his editor fires him. An idea is hatched to re-create the scene, on film. The dramatization of the news becomes a money-making hit, and a genre is born.
Several pre-code movies centered on newspaper offices. The worst insult to call reporters was “stenographer.”
Another pre-code movie showed astonishing prescience, when applied to Syria, NATO media, and Hollywood enchantment: The witty script of It Pays to Advertise claims that virtually anything can be marketed to the public, because fifty percent of people are sheep.
This pre-code delight used superb humor to poke fun about how advertisers could market virtually anything to get that 50% sheeple to open their wallets. Such marketing has been used to get those sheeple to buy war criminal propaganda, to open their wallets to fraud charities claimed to help Syria.
The marketing of Hollywood anti-Syria propaganda is impressively seen in the following AFP photograph, which was viralized on various social media. The backstory involves two gods of Olympus, who came down with puppets, to bring good cheer to traumatized Syrian children. The viralization showed that “it pays to advertise.” Hearts and souls were moved to tears, at the sight of the gods – humanitarians bringing smiles to the faces of these poor children, even if just for a too short respite.
Hollywood salesmanship: Heart-warming, gut-wrenching photo of the probably Last Puppeteers of Idlib, making children happy. Upon closer look, though, are some children CGI’ed in, like the boy’s shoulder and head that seem to emerge from rock, in this uncomfortable-looking quarry.
